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education
"The music presentation was
an incredible experience for my students. Each child got to examine
the gyil's [African xylophone's] hanging gourds, practice the instrument,
and attempt a few simple tunes
They added
an amazing dimension to our class' study of West Africa."
-- Susan Sokol, St. Ann's School, Brooklyn, NY
"It was a concert that the
children will never forget. Their music will grip you, the professionalism
of the group will thrill you and the presentation reaches audiences of
all ages. The performers answered the children's
simple to complex questions with brilliant expertise."
-- Mary Reed, Music Teacher, Clarkston Elementary, Clarkston, MI
What We Do:
Under the direction of composer and music educator David Rogers, Imaginary
Homeland introduces students to
the musical and cultural traditions of West Africa, and to rhythmic
music that combines them with the swing and blues
of American jazz.
Audiences discover the history-speaking sounds of the Dagbamba
talking drum, the traditional songs of the Dagara gyil (xylophone), and
the sounds of American fiddling and swinging jazz.
Presentation Formats:
For students pre-K through 12th
grades, we offer:
- School assembly participatory presentations
- In-class workshops with hands-on instrumental instruction
Participatory Presentation: "Composing
Music and Your Imagination"
Students will
- Discover the West African talking drum and its story-telling
language
- Hear the African xylophone and see how it is made from
native plants
- Learn about the origin, sounds, and construction of
the string instrument family, and reed instruments
- Participate and learn rhythms from jazz and African
music
- Learn how musicians use different styles (jazz, classical,
hip-hop, country, African) to make their own sound
- See how musicians compose music
In-Class Workshops and Instrumental
Instruction
We work hands-on with student musicians (grades 7-12) to develop individual
and ensemble skills in such areas as:
- African rhythms
- Improvisation and jazz for strings
- Acoustic & electric bass tutorial
- Jazz improvisation (all instruments)
- African traditions and jazz music
Experience:
David Rogers has spent three years living
in Ghana (West Africa) apprenticing with traditional musicians and studying
the native drum language, xylophone music, and culture of the Dagbamba
and Dagara peoples. He holds a bachelor's degree in Jazz Studies from
the University of Michigan and has taught educational workshops on African
and American music and culture for students at every level from kindergarten
through college at schools and universities in New York, Connecticut,
and Michigan, with support from the Meet The Composer fund and the New
York State Council on the Arts.
Mark Stone has trained and performed with
the foremost percussion groups of Ghana (Sankofa Dance Theater), Uganda
(Nakibembe Xylophone Group), and Trinidad (Scrunter's Pan Groove), and
currently directs the Biakuye world-rhythm jazz ensemble. Mark holds a
Master's degree from the World Music Center of West Virginia University,
and was a 1996-1997 Rotary Scholar in Uganda. He has taught African and
American music as faculty at Oakland University, Bowling Green State University,
West Virginia University, and has led workshops at public schools in Michigan
and New York.
Marlene Rice has recorded
with Quartette Indigo, Steve Coleman, and pop stars Lauryn Hill, and Patti
Labelle, and performed in string sections with McCoy Tyner, Freddie Hubbard,
and such pop artists as Aretha Franklin, Smokey Robinson, Rod Stewart,
and Sammy Davis, Jr. Marlene holds a Master's in Music from the University
of Michigan and has taught string playing and jazz improvisation extensively
in New York public schools.
Matt Pavolka has performed
throughout the U.S. and Europe, Japan and South America with jazz artists
such as Matt Wilson, Josh Roseman, Charlie Persip, George Garzone, Mark
Turner, and "House of Illusion." Matt holds a degree in music
from the Berklee School and teaches music to junior high students in various
New York City schools.
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